We’d be lying if we said we weren’t super excited that Luke Spooner/Carrion House did the cover for issue two of Broadswords and Blasters. The image you see is based on one of the stories, “Feathered Death” by Steve Cook.
We are still working on finalizing Issue 2 but plan to have it available for preorder by the end of the month and available for general order by middle of July.
In the mean time you can check out issue 1 here!
Today I talk about H. Rider Haggard and his influence on pulp fiction.
Image Courtesy of the Library of Congress – http://www.loc.gov/pictures/resource/ggbain.06516/
H. Rider Haggard was not really a pulp fiction author, having been a “respectable” author of Victorian literature whose first stories were published in literary magazines in the late 1870s. He was a lawyer but paid more attention to his writing, probably for the best as he was an excellent writer. So you may ask yourself why I’m talking about a Victorian author who was published in the slicks, whose work predates the height of pulp fiction as a trend. Like Rudyard Kipling, Arthur Conan Doyle, and Edgar Allan Poe, it’s because his work had an outsized impact not only on pulp fiction, but fiction in general.
His most famous creation, the English explorer Allan Quatermain, was introduced in the 1885 novel King Solomon’s Mines. While there are earlier examples of Lost World fiction, including Journey to the Center of…
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In today’s Pulp Appeal, Matt introduces Jirel of Joiry by C.L. Moore, one of the more famous women authors of pulp fiction.
C.L. Moore, stands out as one of the godparents of sword and sorcery and science-fiction, and nowhere is this more apparent than in her creation, Jirel of Joiry. Jirel stands out for several reasons as a character of the Golden Age of Pulp. She is a female character being written by a female writer, a rarity for the time. (While there were other women writing for the pulps at the time, a large percentage of them were writing hard-boiled detective stories, not fantasy). She is a creature of her passions, frequently overcome with rage that dictate her actions. She is also placed in a historic setting, in this case medieval France.
Jirel is a noblewoman, to be sure, but one that is more likely to don armor and meet her foes head-on then to sit behind her castle walls and busy herself with embroidery. In the…
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