Calling Into the Badlands pulp may be pushing the boundaries of pulp too far for some people. I’ll even admit that it’s at the edge for me, but comic books are in many ways the inheritors of pulp, and Into the Badlands is nothing if not a visual comic book. Costuming, color schemes, sets, and camera points-of-view are all clearly inspired by the works of comic writers and artists like Frank Miller, Mark Millar, Garth Ennis, and Warren Ellis. In fact, the show was created by veteran writer/developers Alfred Gough and Miles Millar, the producers of Smallville, another visual comic book. They were also the writers of the genre-bending film Shanghai Noon. Even a casual viewer will see some echoes of both of those products here in Into the Badlands.
Set in a post-apocalyptic future that mixes feudal barons, a strict caste system, and martial arts…
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I’m sure it’s pretty obvious from this Pulp Appeal article, but I love Akira Kurosawa’s movies.
Drunken Angel is one of my favorite films by acclaimed Japanese director Akira Kurosawa, who is mainly known in the west for his samurai films, particularly Seven Samurai and Yojimbo. Drunken Angel is an earlier film, the first collaboration between Kurosawa and Toshiro Mifune, probably one of the most widely known Japanese actors outside his home country. He went on to star in 15 other Kurosawa films, including both the classic Seven Samurai and Rashomon, the latter frequently cited as one of the greatest films ever made.
Drunken Angel is the story of the broken-down, curmudgeonly Doctor Sanada, played by perennial Kurosawa compatriot Takashi Shimura, and his ministrations to the poor in the slums of post-WWII Tokyo. The film’s plot begins with Toshiro Mifune, a low-ranking yakuza gangster named Matsunaga, seeking out the doctor to treat a gunshot wound. In the process, Sanada diagnoses Matsunaga…
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In today’s Pulp Consumption, Matt highlights the 1997 movie L.A. Confidential.
L.A. Confidential is a 1997 film based on a novel by James Ellroy, set in the 1950s but filmed in a very ’90s style. It is a master class in adaptation, taking what many people thought was an unfilmable book and boil it down to its essential elements. In many ways it also acts as a spiritual successor to that other great Los Angles noir film, Chinatown.
At first blush, the story is that of two competing story lines. Gangsters are being killed or run out of town in the wake of Mickey Cohen’s imprisonment, as evidently someone is consolidating power in his absence. There’s also been a massacre at a local diner, evidently an armed robbery gone wrong. Three very different types of policeman get wrapped up in the investigations, eventually learning that they are more interconnected than you would think. There’s Bud White, played by Russel Crowe…
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