This week we have a guest post by Steve DuBois, the author of the excellent “Monsters in Heaven,” which we published in Issue 4.
[Steve DuBois was kind enough to pull this article together for our on-going PULP CONSUMPTION series of articles. Have an idea for an article? Drop us a line through our contact us box. Payment is a digital copy of the issue of your choice.]
There are people who will argue that Joe Abercrombie’s work is the diametric opposite of pulp. Abercrombie is broadly categorized as a “Grimdark” author, and his novels—especially those of his First Law universe—do not show heroic virtue being rewarded. To the extent that there’s a governing intelligence at work, it seems to operate according to the principle of master-manipulator Bayaz: “God smiles upon results.” Make no mistake, Abercrombie’s work is in no sense “superversive”.
Abercrombie ain’t for everybody. He’s sure as hell for me, though. Pulp or no, the First Law novels are full of what makes pulp fun. His plots…
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Today I discuss the pulp appeal of Firefly/Serenity.
There aren’t many self-respecting fans of science fiction who haven’t at least heard about the masterpiece Fox television show Firefly, sadly cut down in its prime by network executives without a clue. At the time of its release, I was simply too pissed off at Fox for canceling my weekly date with Jessica Alba , and could read the writing on the wall. In the early 2000s, Fox had a nasty habit of airing promising sci-fi shows in the Friday night death slots. Firefly is no exception. And then Fox went and made it even worse by airing the episodes out of sequence and taking seven months between the first 11 and last 3 episodes. Fan outcry wasn’t enough to save the show—it rarely is—but creator Joss Whedon did manage to spin out a feature film, Serenity,to wrap up most of the story. Sadly, Serenity didn’t…
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