In his house at R'lyeh, dead Cthulhu waits dreaming.

Archive for April, 2018

Pulp Appeal: Ghostbusters

Ghostbusters has deep roots in mid-20th Century existential horror.

Broadswords and Blasters

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When an ancient Lovecraftian-style evil rears its head in New York, who ya gonna call? The Ghostbusters, of course! What, you don’t consider Ghostbusters to reside under the pulp umbrella? I can only assume you skipped over nearly every piece of dialogue relayed by Harold Ramis or Dan Aykroyd. Ramis’ Egon Spengler and Aykroyd’s Ray Stantz are hardcore horror history nerds. They also believe in the paranormal, are swept up in the gathering manifestation of Zuul, the harbinger of Gozer–an ancient evil god once worshipped by the Sumerians–and fight back against the potential world-domination with hand-made nuclear-punk backpacks.

But before all that, they enlist their lecherous cynical compatriot Peter Venkman to be the face, hire on resident everyman Winston Zeddemore to do some of the grunt work, and call on the sarcastic and underpaid Janine Melnitz to do all the thankless but important secretarial work. After being called upon to…

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Pulp Appeal: Econoclash Review #1

Today Matt does a review of Econoclash Review, one of the other indie press magazines out there. This one focuses more on the crime stories, so if that’s your thing, take a look.

Broadswords and Blasters

Econoclash Review

Editor: J.D. Graves

Econcolash Review advertises itself as Quality Cheap Thrills, and much like Broadswords and Blasters, bills itself as a contemporary pulp journal publishing “publish only the best crime/sci-fi/noir/horror/humor/fantasy and everything else in between.” For a first issue debut, I can only gape in awe at the amount of talent pulled together into this anthology and will definitely be adding EconoClash to the list of small press magazines to keep a very close eye on.

You aren’t here to listen to me gush though, so let’s take a look at the stories included within.

Cover Art for Issue 1

“The Last Book” by Rick McQuiston

“In the Mouth of Madness” style metahorror piece. When a writer writes to entertain the eldritch horrors, what happens when he decides to quit the game? The meta-fiction aspect is a little heavy handed and not what I would have expected fresh…

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Pulp Appeal: Bill & Ted’s Excellent Adventure

The pulp appeal of SoCal stoners and their quest to move from air guitar to real guitar.

Broadswords and Blasters

Bill and Ted's Excellent Adventure Poster

“Fourscore and…seven minutes ago… we, your forefathers, were brought forth upon a most excellent adventure conceived by our new friends, Bill… and Ted.”

Two high school losers, Bill Preston (Alex Winter) and Ted Logan (Keanu Reeves), are on the verge of failing their high school history class when they are met by Rufus (George Carlin[1]), a mysterious man in a trenchcoat, who tells them the future is in jeopardy unless they pass their final report.

After talking with future versions of themselves, the two set off in a time machine disguised as a phone booth. They meet and convince/kidnap historical figures from different eras to bring back to San Dimas, California so they can do their final report and pass the class. Chaos and hilarity ensue as the historical figures cause chaos in 1980s southern California.

Along the way they become friends with Billy the Kid, Sigmund Freud…

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