Today we have a guest post to ring out the year. Matt Spencer talks about Robert Howard’s WORMS OF THE EARTH, a Bran Mak Morn story.
Editors’ Note: Matt Spencer is the author of numerous novellas and short-stories, as well as the novels The Night and the Land, The Trail of the Beast, and Summer Reaping on the Fields of Nowhere. His latest book is the short-fiction collection Story Time With Crazy Uncle Matt. He’s been a journalist, New Orleans restaurant cook, factory worker, radio DJ, and a no-good ramblin’ bum. He’s also a song lyricist, playwright, actor, and martial artist. As of this writing, he lives in Brattleboro, Vermont.
If you know me and/or the kind of stuff I write, you’re probably at least passingly familiar with the works of Robert E. Howard, even if only by reputation, as to the man’s profound influence on the evolution of heroic adventure lit, and fantasy/speculative-fiction in general. On those merits, whether you’ve read him or not, you probably already have an idea whether or not…
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On this Christmas Eve, Matt discusses that greatest of Christmas movies, Die Hard.
Okay, let’s get the big piece out of the way. DIE HARD is a Christmas movie. Beyond the obvious (the action takes place during a holiday party), there is a sense of reconnecting with family, of finding happiness in little things, and of course Beethoven’s Ode to Joy.
DIE HARD came out in 1988, based on a novel by Roderick Thorp, NOTHING LASTS FOREVER . There are significant changes between the novel and the book, enough that DIE HARD can legitimately seen as its own product.
For the five or so people who haven’t seen it, the basic plot is that John McClane is flying from New York to Los Angeles in an attempt to reconnect with his estranged wife, Holly. McClane is a beat cop, eleven years on the force. His wife is a high powered executive married to her job. He’s supposed to go to her holiday party…
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Last week Matt talked Highlander the movie. Today I talk Highlander the tv series.
Last week Matt tackled the 1986 movie, Highlander, a film we share a mutual love for. I first came across the film when I was about 11 or 12 on a free HBO weekend, or something like that. While I enjoyed it for what it was, even then I recognized there were elements of greatness (the soundtrack, Clancy Brown’s Kurgan) amidst elements I felt were less than satisfactory. We had a French actor playing a Scotsman, a Scot playing a Spaniard by way of ancient Egypt, sword-fighting which was merely okay despite having immortals who’ve had eons to perfect their skills, and some cringingly terrible dialog. Of course at 11 or 12 I didn’t have my vocabulary established enough to employ it in this sort of article, but I knew something was off. It was in my teens when I started watching the tv series that I really understood…
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This week Matt covers Highlander. Next week I will likely also cover Highlander, but where Matt tackled the first movie, I’ll take the tv series.
There can be only one!
Well, that might have been true back in 1986, but Highlander, the movie featuring Christopher Lambert as the immortal Scotsman Connor MacLeod (Christopher Lambert) spawned two other feature films, two separate live action television shows, an anime series, and one television movie.
So what about this movie made it so popular? Was it the idea of immortals existing throughout time, experiencing different cultures and periods? Was it the implied backstory with the arcane rules (there can be only one, no fighting on holy ground)? Or was it the simple fact that watching a swordfight in the modern day turned out to be strangely compelling?
In case you weren’t aware, HIGHLANDER traces Connor MacLeod’s humble beginning as a clan warrior in the highlands of Scotland through the centuries to modern (okay, 1980s) New York. It is in that time and place where there will be The…
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