In his house at R'lyeh, dead Cthulhu waits dreaming.

Pulp Appeal: The Brotherhood of the Wolf (Le Pacte des Loups)

Broadswords and Blasters

The Brotherhood of the Wolf (2001) is a French language ahistorical fantastic retelling of the legend of the Beast of Gévaudan. It is what happens when French moviemakers (director/co-writer Christophe Gans and story creator/co-writer Stéphane Cabel) emulate Chinese wuxia, Gothic Horror, and a touch of the American West as seen through the eyes of Sergio Leone. It’d be reductive to merely call it French wuxia, as I’ve seen it described online, since such description misses the presence of both the spaghetti-Western ironic aesthetic and also the distinctive flair of Horace Walpole’s The Castle of Otranto or Matthew Lewis’ The Monk. The convoluted overlapping plot threads of those stalwart Gothic novels is absolutely in play in Brotherhood, as are the shifting allegiances and dramatic irony of Leone’s The Man with No Name trilogy. Also, while there is definitely wire-work involved in the fight sequences, it’s not quite as over-the-top as

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