The Continental Op from Cameron’s library
Dashiell Hammett lived the life of a hard-boiled detective before he created one of his own. His Continental Op character was one of the most popular detectives of the 1920s pulp fiction era. Hammett’s work with the Op and other characters appeared alongside such notable writers and characters as Erle Stanley Gardner’s Perry Mason and Raymond Chandler’s Philip Marlowe, among scores of others.
Unlike most of his contemporaries, or even many of the people who came after, Hammett has the distinction of having been a private detective, which lends his stories even more gravitas than his stripped down fiction and inclusion of grime and grit do alone. The Continental Op, the character he spent the most time writing about, is loosely based on his own experiences working for the Pinkerton Agency before and after the First World War. The Op is never named, nor…
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The Pulp Appeal of John Carter, Warlord of Mars
I don’t remember how I got hooked on Edgar Rice Burroughs’ John Carter stories, but it was long before the 2012 movie. The basic plot was interesting–a man “dies” on Earth and awakens on Mars, locally called Barsoom, in the distant past when the planet was still populated by various Martian races1 –but that wasn’t the draw for me. At the time, I wasn’t even the biggest ERB fan, having felt like Tarzan was a bit of a let-down. If I had to pin down why John Carter resonated with me, it’s because I’m a fan of stories that examine the gradual decay of once mighty civilizations, the slow fall back into barbarism. This sort of story beat is common to much of pulp fiction–from detectives in the big city to nameless horrors waiting to awaken and destroy everything–where the interplay between civilization and barbarism frequently occurs.
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